![]() A compressor’s ratio setting is exactly that it represents a relationship between input signal and output signal.Īt 2:1, an input signal of 2 dB will output 1 dB. At 10:1, your compressor becomes a limiter, which we won’t delve into just yet. Ratio settings generally range from 2:1 all the way to 100:1 in certain plugins. Typically, you’ll find all or most of these on a multiband compressor too. It’s important to first understand how these work, so that you can make informed decisions rather than blindly twisting knobs (not that that’s a bad thing!). Most compressors share 5 common parameters: ratio, threshold, attack, release, and makeup gain. Gain: Level match for evenness as in the first approach, or turn it down to control harsh frequencies as in the second approach.Threshold: Low for controlling dynamics and high for taming frequencies.Remember how we said multiband can wreak havoc on a mix? For the most part, you’ll want to be pretty conservative with your settings-moreso than with a regular compressor. In this case, you wouldn’t want to apply any makeup gain-we’re turning the nasty parts down! Multiband Compressor Settings You’re not removing them outright, but instead tucking them in when they surpass the threshold. With a multiband compressor, you can tame harsh frequencies only when they become a problem. You could use an EQ and notch for days, but you might also be removing some of the naturalness of an instrument or causing unwanted phase problems in the long run. The second approach to multiband compression is using it to tame unpleasant frequencies. Applying additional makeup gain on the chosen frequency band will make it stand out, so you’re left with a hard-hitting and even kick sound in the low end. With multiband, you could apply compression from 0 to 200 Hz, evening out the low end to make it consistent. Think of it like this: let’s say you wanted to even out the lowest frequencies in a kick drum, up to about 200 Hz. The first approach uses multiband like a regular compressor, but for specific frequencies as we’ve mentioned. ![]() The Basic Purpose of Multiband Compression So before you use a multiband compressor, you’ll want to decide what you’re trying to achieve. On a mix bus especially, you can run into a lot of trouble with pumping and things sounding downright awful. ![]() ![]() GRAMMY-nominated mastering engineer Michael Romanowski even told us you shouldn’t use it at all if you plan to send your mix to be mastered by someone else! Multiband can really “slam” things or even suck the life out of a track. Multiband is one of these tools that can absolutely destroy a track or a mix very quickly. You’ll find that a multiband compressor shares many of these exact same parameters with regular ones as well.īefore applying a multiband compressor, you should have a clear purpose. We’ve included a handy breakdown of compression parameters at the end if you need a refresher. Video can’t be loaded because JavaScript is disabled: Mixing Bass with Multiband Compression – Warren Huart: Produce Like A Pro () How to Use a Multiband CompressorĪ multiband compressor works the same way a regular one does, with one key difference: multiband compressors work on a specific set of frequency ranges-not the whole track. ![]()
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